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This lively, tall clock, made circa 1810, is a stunning example of early 19th-century American craftsmanship, likely originating from Rochester, New Hampshire. Its case, made from beautifully figured flame birch, is both dazzling and well-proportioned. The clock stands a modest 6' 11.5" on flared French feet, gracefully elevating the case, and an attractive flowing drop apron adds to its energetic appearance. The mahogany inlay on the waist door and base provides a subtle yet tasteful contrast, enhancing the visual appeal of the warm flame birch. The bonnet of the clock is decorated with turned columns and reeded chimneys, topped with a unique whale's tail fretwork. The three original brass ball-and-spike finials crown the bonnet, emphasizing the clock's distinguished design.

The Atkins Regulator No.2, a treasure crafted by the esteemed Atkins Clock Company circa 1862, is a captivating testament to the golden era of clockmaking in Bristol, Connecticut. Its distinguished design, characterized by clean lines and a figured rosewood case, exudes a timeless elegance that effortlessly bridges the gap between the 19th century and the present. This commanding wall regulator clock, measuring an impressive 3' 6" in length, undoubtedly graced the walls of public offices or buildings, where its precision and stately presence could be readily admired.

In the heart of the bustling year 1888, as the gears of progress turned in tandem with the rhythmic tick-tock of innovation, the Seth Thomas Clock Company unveiled a masterpiece that transcends time itself—the Seth Thomas Model No. 7. Crafted with meticulous artistry in the quaint town of Thomaston, Connecticut, this cherry-clad timepiece stands as a testament to an era where craftsmanship and precision merged seamlessly. Its craftsmanship speaks volumes; available in walnut, cherry, or oak options for discerning patrons, it captures the essence of an age defined by elegance and sophistication.

This monumental advertising clock was made by the New Haven Clock Company in New Haven, Connecticut, circa 1900. We have only seen three International Tailoring Co. advertising clocks in over 55 years in the antique clock business. It advertises "The International Tailoring Co. New York And Chicago." This company was known for creating spectacular, stylish men's clothing. One can imagine this impressive clock prominently displayed in their Headquarters Lobby or maybe in an upscale men's clothing store. It is a remarkable piece of advertising and craftsmanship, reflecting the elegance and grandeur of the International Tailoring Company during that era. The overall condition of this large advertising clock is excellent.

One of Boston, Massachusetts's most prolific clockmakers, Aaron Willard, Jr., made this extraordinary wood-front timepiece, which retains its original script signature, circa 1820. This type of clock is known as a time and alarm, meaning it has an alarm feature in addition to keeping time. Finding timepieces in such superb original condition from this period is increasingly challenging.

Ezra Kelley made this beautiful inlaid mahogany tall case clock in Dartmouth, Massachusetts, circa 1825. Looking at this clock, one cannot help but notice the extraordinary figured mahogany wood selections, highlighted by light line inlay throughout its case. It also exhibits lovely proportions, from its tall, French cut-out feet with a flowing dropped apron to the beautifully inlaid quarter columns that terminate with decorative brass capitals. Additionally, the base and waist feature tiger maple cross-banding. Even the inside of the waist door is beautifully Vinegar-decorated. All these great features make it a stunning clock.

This is an outstanding example of a Federal Massachusetts improved timepiece or “Banjo clock,” which was manufactured by Walter Durfee of Providence, Rhode Island, circa 1925. Its gilded rope front frames and the highest-grade reverse-painted tablets featuring "The Victory On Lake Champlain" make it a special clock.

At the turn of the nineteenth century, Boston's premiere clockmaker, Simon Willard, made this handsome mahogany tall clock circa 1800. Its beautifully inlaid case epitomizes the "Roxbury" form that was wildly popular in Boston during the late 1700s, and this style influenced many New England clockmakers into the early 1800s. Clocks produced in the Roxbury area of Boston during this period were of the highest quality construction. They had many desirable features, such as visually pleasing proportions, brass stop fluting, and choice-figured mahogany. 

Jonathan Billings made this rare federal gilt gesso and mahogany Girandole clock in Acton, Massachusetts, circa 1817. The girandole wall clock, named for its use of a round base section with applied gilded ball elements and sometimes a convex glass, is a form patented by Lemuel Curtis in 1816 in his attempt to make a more technologically advanced and aesthetically pleasing model that would surpass the influential Willard version. 

William Crane made this gorgeous mahogany tall case clock in Canton, Massachusetts, circa 1815. The case features outstanding proportions, beautiful flared French feet, and a flowing, dropped apron. The figured mahogany selected for this case has a spectacular grain pattern. The base features a veneered front panel framed with a cross-banded mahogany border. Its waist door exhibits a unique reeded molding that trims the perimeter. The clock's bonnet displays three capped fluted finial plinths supporting a decorative pierced open fretwork surmounted by three fancy brass finials.