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Elmer Stennes of Weymouth, Massachusetts. Grandmother clock. The inlaid mahogany case houses an automated rocking ship dial. 218048.

Stennes made several versions of the dwarf clock case. This example is the most formal and the most complex of those that he manufactured. This is a scaled-down version of the “Roxbury” case form made famous by the Willard family. This case is also line-inlaid and features quarter fans inlaid in the corners and a central inlay pattern of an American eagle. This eagle is in a traditional American pose. It is depicted with its wings outstretched, an American shield affixed to its’ breast, and its’ claws clutching arrows on one side and holy on the other. This is a very handsome example. The case stands on four applied ogee bracket feet. They exhibit excellent height and good form. The long rectangular-shaped waist door is trimmed with a simple molded edge. Through this door, one can gain access to the pendulum bob. The bob is supported by a wooden rod. Fluted quarter columns flank the waist. These terminate in brass quarter capitals. The bonnet columns are fluted and fitted into fully turned brass capitals. These visually support the molded arch. Above this is a pierced and open fretwork design. It is a traditional New England pattern incorporating three brass finials mounted on fluted plinths. The arched bonnet door is fitted with glass. It opens to access the dial.

This dial is colorfully painted—the four spandrel areas are decorated with floral patterns in the form of roses. The time ring is formatted in a traditional display. The hours are marked in Roman-style numerals, and the five-minute markers are presented in an Arabic format. A lovely Cape Cod coastal scene is painted in the arch of this dial. It incorporates an automated ship that moves with the side-to-side motion of the pendulum. This automated display is a very desirable feature. The vessel is depicted at sail and heading around the point. On the point is a lighthouse.

This German-made three-train spring-driven movement is constructed in brass and is of good quality. Four pillars support the two brass plates. Hardened steel shafts support the polished steel pinions and brass gearing. The escapement is designed as a recoil format. The movement is designed to run for eight days on a full wind. It will also strike the hours and quarter hours. The quarter-hour strike is performed on chime rods in a Westminster sequence.

This case is stamped in several locations. The stampings indicate that it was made in 1968 and that it was the 14th clock he made that year. It also has his label stamp inside the waist door.

This clock stands approximately 61 inches tall and is 13.5 inches wide and 8.5 inches deep.

Inventory number 218048.

Elmer Osbourne Stennes was born in Somerville, Massachusetts, on June 9, 1911. After high school, he attended the Wentworth Institute in Boston during the 1933 - 1934 school year. From Wentworth, Stennes received a certificate stating he had completed a special course in carpentry and architectural drawing. This document is signed by the Principal, Frederick E. Dobbs. During WW-II, Stennes worked as a cabinetmaker/patternmaker and ship model builder at Forge River in the Quincy, Massachusetts shipyards. After the war, Stennes, a skilled woodworker, became interested in making clocks; by the late 1940s, he was at it full-time. His business evolved. He built the cases for the clocks he sold. These were always of very good quality and nicely finished. Stennes' cases were copies of popular clocks made in the early 1800s by well-known clockmakers, including the Willards, Lemuel Curtis, Joshua Wilder, Rueben Tower, and Abel Hutchins. Stennes was not a clockmaker. As a result, he sourced many of the movements and components from whole used clocks he purchased. At the time, the more common E. Howard products like the model numbers 5 and 70 were inexpensive. He would buy clocks like these for the components and discard their cases. He also used various spare movements that he could buy through the trade. In the early days, the tablets were painted by Edwin Burt of Auburndale. He had an Assistant hired under the G I Bill named Clinton Bates. Stennes signed the dials of the clocks he made with his name and marketed them as his own. Stennes sold many clocks at retail outlets like Shreve, Crump & Low in Boston and through the network he developed in the National Association of Clock and Watch Collectors (N.A.W.C.C.). He was an active member, and the numerous meetings and marts were, at the time, busy places of trade. His reputation grew as his clocks were attractive, available, and reasonably priced. 

Many of the forms that Stennes copied were of clocks that were difficult to come by and often very expensive when they did turn up in the marketplace. One example of this is his copy of Lemuel Curtis's girandole clock. Of course, his business model evolved over the years. He made a wide variety of forms, including the Willard-style timepiece or banjo clock, one of his best sellers. His copies of Lemuel Curtis's Girandole also sold well and are still very popular today. Later, he expanded his catalog and made several shelf clock forms and versions of the tall case clock or grandfather clock, including the grandmother's version and an in-between size he called the Wessagusset. The Wessagusset model was named after the Native American name for the Weymouth shore. In addition to clocks, Stennes made a small amount of furniture. As clock collecting grew in popularity, companies were formed to supply the needs of the hobby. Soon, the movement and component manufacturers began to supply the trade. Stennes began to patronize their stores for parts.

By 1959, Stennes had built a barn on his property to set up his workshop. He told people his shop was located at No., 1 Tic Tock Lane. I remember visiting there as a young boy.

Elmer Stennes may be better known today for his actions on December 2, 1968. After an argument with his second wife, Eva, Elmer shot her in the head with his pistol in the kitchen of their home. Stennes called the Weymouth police and told them what he had done. He was arrested in his home and later released on $25,000 bond. While free on bond, Stennes continued to make clocks. He signed the clocks made during this period with the initials "O.O.B." This was to signify that the clock was made while he was out on bond. During his trial, Stennes pleaded not guilty to murder but admitted guilt to manslaughter. He was sentenced to eight to ten years in prison for this crime. This was to be served at the Massachusetts Correctional Institute at Plymouth (M.C.I.P.) He was incarcerated at M.C.I.P. in October of 1969. Stennes was well-connected politically. Soon, he was put in charge of the woodworking shop at the prison. Foster Compos, Stennes's full-time employee, once told me that he would visit him on weekends and pick up the cases that were made at the prison that week. Foster would then assemble them in the Weymouth shop and then sell them. The clocks made during this period were marked M.C. I. P. In less than four years, Stennes was paroled on January 12, 1973. In December of that year, he married Phyllis Means on the 15th. Almost two years later, on October 4, 1975, the couple was shot multiple times while they were sleeping in their bedroom. Two men broke into their house. Elmer was shot five times and killed. Phyllis was shot seven times and survived by rolling off the bed and playing dead on the floor. Phyllis later accused her 24-year-old stepson Elliot of being one of the shooters. She had retold the story to people I knew that she recognized his voice when he said, "This is for my mom." While in court, Elliot had five witnesses testify that they were together in a bar in Franconia, New Hampshire, at the time of the shooting. As a result, the charges against him were dropped. This case has never been solved.

I would like to thank David Howard for helping this Elmer Stennes biography.

 

  • Elmer Stennes Grandmother clock. The inlaid mahogany case houses an automated rocking ship dial. 218048.