John Bailey II of Hanover, Massachusetts. An important tall case clock. Elisha Cushing Jr. of Hingham possibly made the case. 219052.
This early brass dial tall clock, a unique creation of Quaker clockmaker John Bailey of Hanover, Massachusetts, stands out for its exceptional features. Born on May 6th, 1751, John Bailey II, the son of John and Ruth Randall Bailey, was a prodigy in clockmaking. He not only mastered the art at a young age but also trained numerous apprentices, including his son John III, Joseph Gooding, Ezra Kelley, and Hingham's Joshua Wilder. John II's clockmaking legacy is unparalleled, as he was the most prolific clockmaker among the six Baileys involved in the business. Over the years, we have owned a fair number of clocks made by him, each a testament to his skill and innovation. Some of these included tall case clocks, dwarf clocks, and the Massachusetts shelf clock form.
This early example is one of the very few Bailey-made clocks found with a brass dial. The case is constructed in mahogany and features a more modern finish that is warm and pleasing. The case form is known to this clockmaker. A similar clock is pictured in Harbor & Home on pages 242-243 and is currently in the collection at Old Sturbridge Village in Sturbridge, MA. A second very similar example is in the Hanover Historical Society. All three clocks feature cases that are thought to have been constructed by Elisa Cushing, Jr. of Hingham, MA. He lived on Main Street in a house his father built. Elisa's Son Theodore was also a cabinetmaker.
The example offered here is supported on a massive applied bracket base. The base section is somewhat compressed, and the waist molding above it overhangs the three panels. This waist molding is an unusual design—a boldly formed half-rounded molding transitions to the cove shape that attaches to the waist. The waist section is long and narrow. The center is fitted with a tombstone-shaped waist door. This door is trimmed with a simple molded edge. It also provides access to the interior of the case. The front corners of the waist are decorated with rounded or beaded molding. At the top, it terminates in a lamb's tongue molding. This is a nice, subtle detail. A robust upper waist molding transitions the waist to the hood or bonnet. The hood features a construction that resembles the top of a chest-on-chest or highboy of the period. Four turned and shaped columns visually support the upper section. The back two are split in half and applied to the side of the hood. Moldings are applied to the upper section to make the transition. The front two columns are fully turned and are free-standing. The center sections of these are decorated with fluting. Above them is a fluted molding that transitions to the upper molding. This molding is well-formed. On the sides, it is stepped. It forms the scrolled pediment in the front that terminates in carved pinwheels. These center a decorative plinth. The two carved wooden finials feature a rope twist carving above the ball bases. These are supported on finial plinths that are designed with large caps. The hood door is an arched form. Both edges are trimmed with a molded edge. The door, fitted with glass, opens to access the dial.
This dial is composed of a thin brass sheet that is skillfully engraved and then treated with a silver wash. In the arch of the dial is a "Strike / Silent" selector. This is a device that allows one to turn the striking train of the clock on or off. Thismight be useful if you were to put this clock outside your bedroom. This valuable device, to some, is set up differently than most. By turning the hand to the silent position, a rod pushes the lift lever down and out of the way of the hour pin. This prevents the clock from striking. Themes of swags and florals are used as decorative designs that highlight the beauty of this dial. The Maker's name and working location, "John Bailey / Hanover," are engraved in the center field. The largechapter or time ring displays the hours in Roman figures. The five-minute markers are displayed in an Arabic format. The steel hands are wonderfully made. This dial also features the subsidiary seconds dial and the calendar date. The date of the month is displayed in the traditional location. It is interesting to note that this calendar is engaged with the movement once in a 24-hour period. The standard setup is to have it engage once every 12 hours. It is also supported at one end with a bridge, and the pinion is fitted into a bearing. This is a positive system and illustrates Bailey's ability to be somewhat creative in manufacturing this movement.
Behind the dial is a brass weight-driven movement. It is designed to run for eight days on a full wind. It will also strike each hour on a cast iron bell. The plates are joined with four turned posts and are supported by a seat or a saddle board. These plates are interesting because they retain the Maker's setup notes in terms of the scribe lines left on the front surface. One will also notice the higher-than-normal copper content in the front plate, as is evident by the copper coloring. The pendulum features a wooden rod and a brass-faced lead bob.
This fine clock was made circa 1780. The overall height is 97 inches tall to the top of the wooden finials. When measured at the lower hood molding, this case is 19.5 inches wide and 11.75 inches deep.
For more information about Elisa Cushing Jr, please see Furniture Making in Massachusetts. Two Plymouth County Discoveries written by Gary Sullivan & Brock Jobe, Antiques Magazine, May 2009.
Inventory number 219052.
John Bailey II was born on May 6, 1751, in Hanover, Massachusetts, the son of Colonel John Bailey, a shipbuilder, and Ruth Randall Bailey. He died there 72 years later, in 1823. It is believed he learned clockmaking at a young age and may have been self-taught. John t on January 23, rained numerous apprentices, including his younger brothers Calvin and Lebbeus, his son John III, Joseph Gooding, Ezra Kelley, and Joshua Wilder from Hingham. Many of his apprentices moved to other towns in southeastern Massachusetts and became well-known in their communities. John was the most prolific clockmaker among the six Baileys involved in the craft.
John's clocks can be categorized into two main types. The first is a home-developed style, which often features sheet brass dials that are engraved and treated with a silver wash. Several examples we know of have movements constructed from wood, while others are made of brass with fully skeletonized plates. Some later models incorporate wooden winding drums. Notably, he produced both types of strike trains; we have seen signed examples that feature a count wheel setup and the more common rack and snail configuration. Very few clockmakers used both setups. The cases are usually made from indigenous woods like maple and cherry, showcasing pleasing country proportions without the sophistication of the Roxbury School. The 'Roxbury/Boston influence' refers to the design and craftsmanship styles that were popular in these areas at the time. Around 1790, this influence likely played a significant role in John's production. The movements in these examples more commonly feature fully plated mechanisms. Additionally, the cases resemble those produced by the Willard School to the north, which often showcase mahogany cases decorated with inlays. This second generation of output appears much more formal.
Over the years, our collection has included a diverse range of clocks crafted by John Bailey II. From tall-case clocks to dwarf clocks, banjo or wall timepieces, and the unique Massachusetts shelf clock form, his versatility as a clockmaker is truly intriguing.
